I’m not
good at taking notes at conferences or Spiritual meetings. I get so caught up in trying to get the exact
quote or comment or whatever that I end up missing on so much more.
Last
night there was a Relief Society stake activity called “Women of Righteousness”
featuring artist Megan Rieker. I didn’t
think the event well advertised - at
least in our ward. I honestly didn’t
know what to expect.
Turned
out to be a truly eventful night. And I
learned things – not just about the artist paintings but discoveries within the
past as well as my own self.
I’d
taken an art appreciation class several years ago in order to appreciate fine
art more than I do. It backfired. I often rolled my eyes when learning about
contrast and balance and was more unappreciative about the entire fine art
world long before the class was over. I started looking at paintings and wore
less-than-flattering expressions. I
didn’t have an eye for art before I took the class. I still don’t. I appreciate hearing about it almost as much
as I love algebra – though I do understand the concept of art a lot better than
any mathematical terms.
The paintings
themselves weren’t as appealing to me as the stories behind them or choosing
the model or the prayer involved.
The
first painting she showed us was of Ester.
While explaining it, she shared a quote from one of James E. Faust talks
taken from the October 1995 priesthood session of conference. (Interesting that
it was from Priesthood)
“The Lord has a great work for each of us to do. You may
wonder how this can be. You may feel that there is nothing special or superior
about you or your ability.”
As I
was following along with her reading, I thought, “You’ve got that right. Nothing special about my talents that I would
be called to be the enrichment leader.
That is crazy.”
“The Lord can do remarkable miracles with a person of
ordinary ability who is humble, faithful, and diligent in serving the Lord and
seeks to improve himself.”
Well,
I’ve got two out of three. I’m
definitely not humble. Not even
close. Though I feel I may be closer
than to where I was 10 – 25 years ago.
Is that why I’ve been called to this position? So I can humble myself? There’s an interesting thought.
I
hadn’t actually noticed too many sisters from my ward. It was during the Ester painting when Joni
came in and sat down next to me. She had
gone to the wrong building.
Our
stake center is actually the smallest stake center I have ever seen – smaller
than any of the ward houses. It doesn’t
have a font for baptisms. That is in
another building we refer to as “the south building” Most stake activities are
held at the south building rather than the stake building – but that’s beside
the point.
Joni
made a few comments throughout Megan’s discourse. I really didn’t mind. It’s usually me that is making remarks. I did not share what thoughts were already in
my head.
The
next painting was the one that appeared on the card that was handed out to each
sister as she walked through the door.
Megan kept referring to it as “The Five Wise” but the flip side of the
card says, “The Hour Draws Nigh”
She
talked about the work that went into this piece that had taken over two years
to create. She took photographic
pictures to illustrate the steps that she took.
Meanwhile
Sally DeFord (along with Valarie
Olson) was creating a musical piece called “The Painter’s Hand” and was
looking for illustrations to go along with it.
Megan then showed us this video
At the conclusion she expressed though the steps may have been
important to the video, she didn’t feel like the entire painting itself
actually related. But I think it
does.
Five wise virgins waiting for the master who can make a
masterpiece of all of them if they but will it.
The painting expresses that they do.
They are just five of his masterpieces.
Megan then moved onto
a painting which had the name of the pioneer woman, and she read from her
journal (the women’s) but I for the life of me cannot find the name of the
woman. It started with a J. You can read a passage of her journal entry
at this site along with other
illustrations of Megan’s beautiful work.
No,
I’m not trying to promote her work. I
never even heard of Megan Rieker until last night. There are more to view than what I saw last night, and if the reader would like to know what they look like, I've chosen a link option.
I
suppose the painting that touched me the most was the last one that she
showed. It wasn’t framed as she had just
barely finished. (reader can find the steps on Megan Rieker's facebook page) It wasn’t even the
painting itself as what I had learned or had been reminded of.
The
painting was/is of two girls on a rocky path.
One is holding onto the iron rod and reaching her hand out towards the
other.
When
someone mentions “Strait and Narrow” I always think of “straight”. I supposed most of us do. But Megan shared the definition of “being
difficult” – which made sense. Why wouldn’t it be difficult?
Her painting actually reminded me of the pioneers’
struggles as their path was most often difficult – climbing over rocks and
boulders, enduring wintery snows and cold and such. I had never thought of it that
way before, but I suppose they had their own metaphorical iron rod. And it wasn’t an easy grasp for many of them.
I
sat next to a sister from another ward that shares our building. The geographical boundaries in this stake are
NOT on a grid. They are broken up and
very weird in my opinion. Some of their
ward boundaries overlap into our ward boundaries. Several of their ward members are sandwiched
between our ward members. Strange. I personally think the stake boundaries ought
to be redone. But that is just my
opinion. I don’t have (nor will ever
have) the authority to change them.
I
realize that changing the boundaries would upset the membership a little bit –
but in time it would be worth the change and finding new friends. Often Mormons are so caught up in going to
meetings and such that they overlook social opportunities. We get caught up in a routine and robotic moves
that we often don’t notice “the forest for the trees”
I’d
never met this particular sister before, but she actually lives closer to me
than the few members I did see from my own ward. I asked Sister Gustar if she would take me
home. She has put herself in a position of playing chauffeur and nobody else seemed to mind. I actually live closer to her house than the other two from her ward that she dropped off at their homes. I have often walked by her house
without even having known it.
Overall, it was a really worthwhile
night. I not only saw "women of inspiration" through the paintings. I have met many as well.